I definitely look forward to their return. Despite being plagued by many technical issues, including spotty monitors and unplugged cords, the two bands put on a fantastic show that entertained and kept the audience’s heads bobbing throughout. Too bad.įrankie Cosmos and Big Thief are a dreamy, bubbly, power lineup. They then went on to play that song, though unfortunately the requester from the previous show did not appear to be in attendance. In a special Toronto shout out, she mentioned that at their last Toronto show someone had requested a song, Greta played it solo, then they later wrote a band version of it because of that request. Any and every song I could have wanted to hear was played, and then some. In fact, I’m pretty sure they played about 80% of their repertoire. I also noticed something rather novel about their set: because most of their songs are less than 3 minutes long (many under 2), they played what felt like dozens of songs. It was the sort of music and performance that you can’t help but smile along to. They danced, they sang, and most of all, they were happy. From sheepishly apologizing for her “lame guitar solo” (fortunately, it only sounded lame to her because her monitor was having some sound issues) to inviting the whole crowd to go see Kero Kero Bonito with her after the show was done, lead singer and guitarist Greta Cline made it clear that she was just another human trying to figure out what this whole “being cool” thing was about. It’s a groovy reminder that not only is it okay to be quirky and weird, it’s COOL. Listening to Frankie Cosmos’ music is like a big warm hug. However, regardless of who was playing at any given time, it was always guaranteed to be be good. If it had only been for one song I would have understood, but about a third of their set was solo songs (including an interesting acapella tune by lead guitarist Buck Meek), interspersed throughout. I’ve seen other bands pull this off by leaving the stage or staying out of the light, but instead the band stood around awkwardly. However, one thing I found odd was the frequent switches between full band songs and solo jams by Lenker. The music and show was very dreamy with a distinct country vibe, though occasionally the delicate tones gave way to utter calamity, or as I liked to think of it, nightmare country. The lead singer, Adrianne Lenker, quickly caught my ear with her fantastic voice. Their latest album, Next Year, is song after song of pleasant, uncomplicated ditties about the little things in life that tie us all together.īig Thief played first. Though I knew little about Big Thief, Frankie Cosmos is the definition of fun, non-pretentious rock. It tells the story of a single mother and her two daughters who move into a home occupied by three ghosts, a single father and his two sons. But trust and believe: While the hits from “Jagged Little Pill” - “Ironic,” “All I Really Want,” “One Hand in My Pocket,” “You Oughta Know” - were penned decades ago, its stage musical incarnation captures voices of several generations, from Gen Z to Boomers.ĭespite tackling addiction and gender-based violence, “Jagged Little Pill” is often also wryly funny thanks in large part to Tony-winning bookwriter Diablo Cody (whose Oscar-winning screenplay for “Juno” had a lighter but similarly acerbic wit).As I sat in Adelaide Hall, sipping a beer, listening to Childish Gambino and dreaming about how Donald Glover will make a great young Lando Calrissian, I couldn’t help but be giddy for the show ahead. The Haunted Hathaways is an American television supernatural sitcom that began airing on Nickelodeon July 13, 2013, and ended on March 5, 2015. It could come off as a cynical or contrived attempt to capitalize on headlines - those placards seem to have been updated since the musical began life pre-pandemic. Its heart is literally written on the picket signs its characters brandish like urgent headlines through the plot’s various rallies: “No More Thoughts and Prayers.” “Women Life Freedom.” “Believe Survivors.” “Being Gay is Like Glitter. Run-time: 2 hours and 30 minutes, including one intermission
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